If you start stumbling blocks to play classical guitar is one of the greatest bad technique on the left. The main problem is that both hands move in different rhythms and all eight fingers are used, apart from the one ' more. You can not believe that it is so difficult, so try this exercise with both hands on the table before him, and raise their palms to let his fingertips touch the table hours each finger to lift and move back andheads turn while everyone else on the table and does not move one of them. OK, so you have ready? It was more difficult than the other fingers move?
I confess that I personally have great difficulty moving my ring finger, but every person is different. To play classical guitar does not just need to be able to do it, but also move each hand in different rhythms and sequences! Do not worry, there are exercises for inside and outsidethe guitar, but before I left to get a clear overview of the proper positioning for. the correct shape in the right position on the left to see players play a pace you are sitting chair with his left foot raised on a stool, classical guitar, and with your guitar on your body that points to the neck of the left (Left must be ordered everything I say vice versa). Place your left armunder the neck of the guitar and put his thumb in the middle of the back of the neck, now bend your fingers like tapping on the table and put it on the strings. Are you really your left arm is free to move and SAT is not the whole weight of the guitar.
When you start the thumb is to play against a rule directly on your index finger, but it can also be late to the treble side to get past when you extendthe low strings. It should never come above the top of the neck. If you play your finger left hand drop almost 90 degrees to the board, and fret just the tip of his finger in contact with the string. Ideally, you should use a pressure sufficient to ensure the notes are all clear, amazing children, are usually much better than this gaugeing adults.
If a bar takes pole fingers should be placed on all stringsrequired and rolled slightly in the covenant that helps the sums which includes the strings to eliminate joints. It seems difficult, and it is an art that requires practice. Heikila Sakari has a training program for the guitar work of his http://www.masteringthefivedisciplines.com Council website and the book Pumping Nylon by Scott Tennant, the exercises include the left hand (this is really for advanced playersand above).
There are also a number of books by Abel Carlevaro (Series Didactica para Guittara), 4 part, I only share 2.3, and 4 of right hand, left hand and the last straw!). This work is in English and Spanish translation was published in 1975 by Barry to Buenos Aries copyright Copyright 1967 Uruguay Montevideo and is a comprehensive work on the exercises for the right and left hand and in harmony. The essential idea is the workslowly and correctly, and add just the speed after each exercise is mastered.
I really hope that you find one that helps you and wish you every success in your game.
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